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Episode · Apr 8, 2026 · 1 hr 55 min

From Dish Pit to 30 Restaurants

with Phillip Frankland Lee

Phillip Frankland Lee is a chef and restaurateur who built Sushi by Scratch after starting as a dishwasher.

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“no one's going to control my destiny but me.”
Phillip Frankland Lee

Summary

Ken and Phillip describe Sushi by Scratch as a live performance, with a speakeasy atmosphere and 1920s and 1930s Japanese jazz. Phillip traces his interest in sushi to a book he found at an Asian market when he was 13, then talks about touring in punk bands, leaving culinary school, and taking demanding kitchen jobs. He recounts Michelin-level work in Los Angeles and Chicago and the early proposal that reset his path toward a tasting-menu restaurant.

Phillip explains how television appearances and critics helped bring attention to his cooking, then revisits a partner who disappeared and left him with debt and lawsuits. A private equity battle brought a $15 million claim, while COVID closures forced another reset. He and Ken discuss rebuilding through Austin pop-ups, deciding to open 30 restaurants to survive, and planning a four-acre Michelin project. They close on hunting, whole-animal cooking, gratitude, and following through.

Show notes

Phillip Frankland Lee went from washing dishes to building one of the most unique restaurant empires in the world. But it didn't happen clean.

He was betrayed by a business partner who disappeared, leaving him with debt and lawsuits. He got hit with a $15M legal battle from private equity. His restaurants were shut down overnight during COVID.

And instead of folding, he doubled down.

In this episode, Phillip breaks down how he turned Sushi by Scratch into a full sensory show, why he believes great food should hit even if you're not a foodie, and how relentless work ethic, from punk rock touring to Michelin kitchens, shaped everything he built.

This is a story about obsession, resilience, and refusing to lose, no matter how many times the game resets.

Read the transcript

Transcript

Made from YouTube's automatic captions and lightly corrected, so a few words and names may be off. Click a time to play the video from there.

Ken Rideout

Phillip Frankland Lee, celebrity chef. Welcome to the show.

Phillip Frankland Lee

Yo, thanks for having me.

Ken Rideout

Oh, man. I've been dying to talk to you ever since I met you at Sushi by Scratch.

Phillip Frankland Lee

That's right.

Ken Rideout

In Austin. Yeah.

One of the most incredible dining experiences of my life. And full disclosure or full transparency, I'm not a foodie. Like, I just

I love it. I I can appreciate nice food, but I couldn't tell you the first thing about like any I don't know anything about who's hot. But when I went to that restaurant and you put on that performance, which is what I would call it, right? And it's almost like dinner theater.

Phillip Frankland Lee

I'm a musician and I play in punk bands and hardcore bands and we're putting on a show.

Ken Rideout

It was a show and it was like what's it styled after like 1920s to Japan?

Phillip Frankland Lee

So the concept is taken from so my background if you go back to me playing drums in hardcore bands, we never played concerts. We played shows. I don't go to concerts. I go to shows. We want everyone up to the stage and we want to get the mic and you want to jump off the stage and crowd participation. So in building this restaurant, I didn't want you. Nou is a concert. Yeah.

Ken Rideout

Sushi by scratch is a show. Yes.

Phillip Frankland Lee

You know, and so um you know, we basically when I hire guys and girls, I go, "Listen, this is not like working in a restaurant. It's like being in a band. We're going to practice all day," which is our preparations. And then at 5:00, lights go down, lights go up, this, you know, the set list is written behind us. And we're gonna we have three shows tonight. 5 7:15 9:30. And um yeah, I mean I I'm I'm really I I love that you said that you qualified how you're not qualified.

I think that great food just like any great art, if it requires you to be a connoisseur, how great can it actually be?

Key takeaways

  • A restaurant can make dinner feel like a show without requiring guests to be food experts.
  • Phillip traces his work habits to touring in bands and learning in demanding kitchens.
  • Customer feedback can keep a founder from building only for himself.
  • When a business reset happens, a temporary pop-up can test whether a new market is ready.
  • Phillip argues that repeated setbacks make follow-through more important, not less.

Nowhere to Hide

A weekly letter from Ken Rideout about doing the uncomfortable part, and the reasons we use to avoid it.

It starts with 3 Days, 3 Hard Things: one short story from Ken and one hard thing to do, every day for three days. Then one letter a week.